Feininger was the son of famous Bauhaus painter, Lyonel Feininger, and
he took many of his father’s Bauhaus ideas into his work. Feininger gained
his reputation as a LIFE magazine photographer from 1943 to 1962, but
would also work on his own personal practice as well. In his work he
wanted to understand natural phenomena and its connection to manmade
things. Much of his work emphasizes design, construction, and the way that
objects are organized. Through longer exposures and experiments with
light, Feininger is able to explore movement within the two photographs
exhibited. A connection between the dancers’ simple movements and
geometry is quickly revealed in these works. In addition to photographs
based on these connections, Feininger was also famous for photographs of
cities, for which he built four customized telephoto lenses and three close-
up cameras. This allowed Feininger to have scenes without distortion and
at scale.
–Double Play